Our design idiom takes off in the mood of the modernistic hospital environment and its associated sterility and functionality ideals. Obtaining our references from the aesthetics of medical devices and veiled nuances of the human condition, we embrace the inherent beauty of yet aesthetically unexplored subjects.

In our clinically thematic presentation, we allow our products to disintegrate into smaller components, shaping an anatomic table of contents. This is a pictorial rewrite of our work method, functioning by constantly re-interpreting existing aesthetic frameworks in the baptism of new visual settings.

Our theoretical objective is to defend fashion as an artistic expression by revitalizing its intellectual territories. Naturally, this philosophy implies the denunciation of prevailing patterns in contemporary consumption; driven by trend waves and consumerism, rather than overarching ideological convictions.

Only by dismantling established connotations of disease, social class, gender norms, we can subversively configure the new contemporary.

Finally, we are of the fanatic view that self-expression is an  uncompromising and inescapable form of art which we are all doomed to practice, regardless of our will or awareness of it.